A reluctant vampire queen. It would ill become me. Pornography, Fairy Talesr and Feminism: Angela Carter's 'sThe Bloody Chamber" ROBIN ANN SHEETS Department of Ex,glish and ComparativeLitergture University of Cincintzati B RITI S H AUTH O R Angela Carter holds a problematic place in the de-bates about pornography that … Angela Carter (Eastbourne, 7 mei 1940 - Londen, 16 februari 1992) was een Britse schrijfster en journaliste, en is bekend geworden met haar postfeministische magisch-realistische fictie.. She wanted to save herself. In 1969, Carter received a Somerset Maugham Award, worth five hundred pounds, to be used for foreign travel. In Japan, her best work went into short fiction—tales, she called them—which she later published in the collection “Fireworks” (1974). Cloudflare Ray ID: 618324425f4c4c07 At its conception, Beauty and the Beast was first intended for adults and not young children. Will be used in accordance with our Privacy Policy. Angela Carter's The Magic Toyshop and Margaret Mahy's The Changeover 3.1 Genre Boundaries, Text Limits But it’s amazing what the Old Boys’ club does for itself. Carter was a good cook. Performance & security by Cloudflare, Please complete the security check to access. 4, (April,1997), pp 633- 657 08/04/2011. She did. “I have sharp teeth inside my mouth,” she says. By Joseph Bristow, Trev Lynn Broughton. Araki had recently dropped out of a university program in political science, intending to write a novel, and they apparently did discuss fiction. . Carter was never short-listed, let alone given the prize, and she did feel that this was, in part, because she was a woman. More than forty years later, he refused to speak to Gordon.) Carter’s taste for folklore, psychoanalysis, and luridness enabled her to take the fairy tale in new and shocking directions. At the same time, Carter was producing the first novels that she would be willing to publish. But soon the marriage was failing. . The Bloody Chamber is a collection of short stories written in 1979 by Angela Carter during a time known as second wave feminism. He was two inches shorter than her, and nineteen years old, though she wrote that he looked fourteen: “Every time I pull down his underpants I feel more and more like Humbert Humbert.” (She was thirty-one.) Angela was not allowed to dress herself, or to go to the bathroom alone. While he was out tomcatting, she was earning their daily bread, and, as he told Gordon, “I didn’t want to be a gigolo anymore.” He left her. Araki liked to go out with his friends at night, and Carter’s joining them was not convenient. She described the scene in a later, unpublished story: “ ‘Where are you from?’ he asked her. the right stuff. This thesis provides analysis and elaboration of Angela Carter’s and Anne Rice’s literary works of the Vampires and how the female characters, sexuality and gender have been used. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast. In a tale, she could dispense with them, and just go for emotion and image. The English novelist Angela Carter is best known for her 1979 book “The Bloody Chamber,” which is a kind of updating of the classic European fairy tales. Her concern was not with justice; she hated the idea of put-upon, suffering women, and implied that they had it coming, by being such weaklings. Unexpected Geometries: Transgressive Symbolism and the Transsexual Subject in Angela Carter's The Passion of New Eve Heather L. Johnson; 11. She was a good student, though, in a good school. . Carter, who called this the “eat up your broccoli” school of criticism, managed to hide out in medieval studies, which she loved. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. In 1976, she accepted a commission to translate Charles Perrault’s fairy tales. She goes to bed with him. Carter was most of a decade older than the others, born a few months into the Second World War rather than after it, and her Freudian-influenced, “mythic” subject matter was out of step with their more postmodern concerns, their explorations of language, narrative, and representation. Zij begon haar carrière als journaliste bij de Croydon Advertiser.Ze is twee keer getrouwd geweest. Posts about Feminism written by Caleb Sivyer. Angela Carter was a British author who excelled in writing novels, short stories, poems and was also a journalist of great repute. (Over the years, needing the money, she had written many magazine articles.) A wolf child who finds her only friend in the mirror. • In any case, she told an interviewer that she had a rather nice time in her thirties: “I started doing things like foreign travel and having a house, and you know, watching television and things like that.” Soon she had someone steady to do those things with. The English novelist Angela Carter is best known for her 1979 book “The Bloody Chamber,” which is a kind of updating of the classic European fairy tales. She wanted women to seize what they needed—power, freedom, sex—and she saw no fundamental difference between the sexes that could prevent that. An earlier version of this article misstated Angela Carter’s age at the time of her death. She also encountered Freud, gaining, she thought, a scientific support for the world of shock, dream, and eros that she now saw as the realm of art. He snuffed the air, as if to smell my fear; he could not. This time, she carried an armful of towels. On her twenty-second birthday, her Uncle Cecil, knowing that she was unhappy, invited her to lunch at an Italian restaurant and told her to apply to university. Angela Carter’s The Sadeian Woman: feminism as treason . Introduction. The writing… He moved in with her almost immediately, and did all the cooking and cleaning. To revisit this article, visit My Profile, then View saved stories. Through some miracle, Angela, who had little sexual self-confidence—she once described herself as “a great, lumpy, butch cow . Nor, it appears, were her interests merely, or even primarily, sexual. The couple had recently moved to Bristol for Paul’s work, and she enrolled in the university there, studying English. “Apart from the sheer delight, he does bore me,” she wrote. As for the husband who was waiting for her in England, “I can’t live with him anymore,” she wrote to a friend, “or I’ll kill myself & that’s that.” Two weeks after she met Araki, she had to go to Hong Kong briefly. The finest of them, “Souvenir of Japan,” is a tribute to Araki. . 1, No. ♦. Sign up for the Books & Fiction newsletter. And each stroke of his tongue ripped off skin after successive skin, all the skins of a life in the world, and left behind a nascent patina of shiny hairs. “He came in,” Carter said, “and never left.”. She felt swollen with unexpressed emotion. Set Within a few weeks, at a Tokyo coffeehouse a Japanese man, Sozo Araki, twenty-four years old—six years her junior—stopped at her table. We lay down immediately and began to kiss one another. Angela Olive Pearce (formerly Carter, née Stalker; 7 May 1940 – 16 February 1992), who published under the name Angela Carter, was an English novelist, short story writer, poet, and journalist, known for her feminist, magical realism, and picaresque works. It is like a painting of a conversion experience, and, by the time she wrote it, she surely knew that. ‘England,’ she said. If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. Carter was critical of conventional femininity, which she saw as a blend of masquerade and of "male impersonation". In her novels, he wrote, her voice, “that moonstone-and-rhinestone mix of opulence and flim-flam, can be exhausting. There are excellent things in all these books, but there is also a strong suggestion that Carter is still trying to drive her mother crazy. The whole thing is as lovable and comfortable as an old shoe. Angela Carter's The Sadeian Woman: Feminism as Treason Sally Keenan; 9. A little later, she discovered the Surrealists, and learned from them that the goal of art was not truth (as the Leavisites would have it) but the marvellous—indeed, that the marvellous was the truth.All of this fed into her developing feminism. Unsurprisingly, we find out that the white witch cared about her reviews and sales. ...Sexual Content in Angela Carter´s “The Bloody Chamber” The Bloody Chamber and Other Stories, is a selection of fairytales which have been re-written by Angela Carter to place them in the modern day. (She was now thirty-four.) (After she gets out of the hospital, he finishes the job, strangling her and leaving her naked corpse in an attic.) She took his advice. A year after that came “The Magic Toyshop,” in which the orphaned heroine is sent to live with her uncle, a sadistic puppeteer. DOI link for Angela Carter’s The Sadeian Woman: feminism as treason. In her stories, she can dazzle and swoop, and quit while she’s ahead.”. It shows the faults endemic to that genre: too much detail, together with a suspicious vagueness about family members who are still alive. In the airport’s departure lounge, she took off her wedding ring and left it in an ashtray. Even when the material is not shocking, the treatment is often self-indulgent. It contained nothing but a mattress spread on the floor. She decided that she would grant herself an old wish, to go to Japan. In a sense, “Wise Children” is about what happens to women when they’re no longer salable, but it’s hard to locate a note of regret, because the book contains so much life and fun—nice dresses and memorable fornications and wild parties and theatre, theatre, theatre. 2.1 Eighteenth-Century Gothic, Gender and Feminism 2.2 Gothic in the Nineteenth and Twentieth Centuries 2.3 From the Fairy Tale to the Romance Novel and the Female Gothic 2.4 Feminism, the Mother-Daughter Relationship and Modern Witchcraft 3. Rushdie told Gordon that, when he was in hiding, after the Ayatollah Khomeini issued the fatwa against him, his bodyguards always enjoyed it when he went to visit Carter, because she invariably had a nice meal for them to eat, and they could watch TV.A recurrent theme of Gordon’s book is Carter’s position as a woman in her profession. Finally, she rebelled, went on a diet, and changed from a fat, obliging girl to a skinny, rude girl. Illustration by Oliver Munday / Photograph courtesy Andrew Travers. Award-winning author Angela Carter is widely viewed as one of the great modern English writers. She started writing record reviews and liner notes and getting involved in London’s music scene. Olive redoubled her attentions. In this respect, the feminist novelist Angela Carter –in her collection of short fiction The Bloody Chamber published in 1979– retold traditional fairy tales known and even internalized by many people. There love is mixed with comedy. © 2021 Condé Nast. He quotes one called “Unicorn.” In the Middle Ages, there was a belief that the only way to catch a unicorn was to send a virgin, alone, into the woods. Gothic imagery permeates all of her work but nowhere more so than in The Bloody Chamber (1979), a collection of tales that delights in moonlit forests, graveyards, isolated castles, locked rooms, guttering candles and the howling of wolves in the night. (She came to describe him as an “ambulant penis.”) One night, as they were undressing, Carter saw a smear of lipstick on Araki’s underpants. By Joan Acocella for The New Yorker. After the Perrault volume was published, she embarked on “The Bloody Chamber,” with her own, reconceived versions of Perrault and the Brothers Grimm. Her next two efforts were in a similar vein. (She had always disliked Paul, but she disliked divorce more.) Rita Felski, Literature after Feminism, 1st ed (Chicago: The University of Chicago Press, 2003), p. 149-164. Feminism is a complex ideology that encompasses many different subcategories that are all uniquely different from one another. Carter clearly mentions that her intention “was not to Marriage, she realized, would be the only way to escape her parents. Describing the episode to a friend, she wrote that she burst out laughing. He liked Faulkner and Dostoyevsky. Both parents spoiled Angela outrageously. Get book recommendations, fiction, poetry, and dispatches from the world of literature in your in-box. Carter returned to Tokyo, set up house with Araki, and soon found that she had to acquire an additional sort of freedom. Sometimes he and Angela barely spoke for days. Angela Carter was born on 7th May 1940 and passed away on 16th February 1992. It didn’t help that she favored an outré look, with long, flowing skirts and, in her late years, a great, disorderly mane of white hair. Imagine that: a great, warm, wet, abrasive tongue licking off skin after skin, down to the bottommost one, which starts to sprout shiny little animal hairs. After finishing high school, she started working as a journalist for the London based publication Croydon Advertiser but later on went on to complete her university education at University of Bristol. Maybe she needed that in order to get past the aggressive luridness of her early work. She is naked, with breasts “like carrier bags” and “curious plantations of pubic hair.” The unicorn is drawn to her by “the fragrance of her moist / garden plot.” He will be sorry. Carter always said that the two years she spent in Japan were what radicalized her as a feminist. Since I am recently out from the red velvet fiction of Ms. Angela Carter’s the Bloody Chamber, let’s talk feminist literary fiction and theory. That was one captor disposed of. D. H. Lawrence’s tragedy is that he thought he was a man. So the aeroplane ascended or descended into an electric city where nothing was what it seemed at first and I was absolutely confused.” There she is—dizzy, suspended between two beds of light. Folklore also presented her with a set of emotions that, while releasing her, eventually, from sixties truculence, nevertheless felt true, not genteel. But it reclaims Carter from the fairy kingdom and places her within what sounds like a real life. One day, two years after her return from Japan, one of her water faucets burst. Her teachers urged her to apply to Oxford. This does not mean that Carter’s Little Red Riding Hood chews gum or rides a motorcycle but that the strange things in those tales—the werewolves and snow maidens, the cobwebbed caves and liquefying mirrors—are made to live again by means of a prose informed by psychoanalysis and cinema and Symbolist poetry. Finally, she comforted herself with a young Korean, Mansu Kō. In an independent record store, she met a serious-minded young man, Paul Carter, an industrial chemist who moonlighted as a producer and seller of English folk-song records. She had her time, and it was wonderful. Angela Carter's Nights at the Circus: An Engaged Feminism via Subversive Postmodern Strategies ith extravagant playfulness, Angela Carter's Nights at the Circus (1984) weaves together elements of the carnivalesque and fantastic with those of harsh material realism as vehicles for feminist aims. They list the “important British contemporary writers,” and they’ll list Malcolm Bradbury and Kingsley Amis, and they’ll leave out Doris Lessing, who’s the only one with a really huge international reputation. September 2, 2017 by Webmaster. Biography Angela Carter (1940–1992) is one of the boldest and most original writers of the 20th century. . Between those disadvantages and extreme shyness, which she covered with an aloof and frosty manner, she had few friends. Her grandmother’s bones rattle beneath the bed. She had seen a construction worker in the house opposite, and she ran to get him. One of the most radical and stylish fiction authors of the 20 th century, Angela Rushdie says that though she did wish for greater recognition, “she was not ever envious of other people’s success.” That must have been a comfort to them. ‘That must be terribly boring,’ he said & gave her the great international seducer’s smile.” They ended up, that evening, in a “love hotel,” the kind that rents rooms by the hour. $35. He paces back and forth: I squatted on the wet straw and stretched out my hand. All rights reserved. At the end of the tale, the heroine is ushered, naked, into the beast’s chamber. Gordon tries hard to determine what Carter and Araki talked about when they weren’t having sex. Facts about Angela Carter tell you about the English journalist and novelist. She relieved him of his virginity. But, if she could tolerate this routine, he couldn’t. Paul suffered engulfing depressions. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. Angela went to the hospital, but Olive, upon seeing her, turned her face to the wall. Angela Carter’s Feminist Mythology. Olive, hearing this, pronounced it an excellent idea, and said that she and Hugh would take an apartment there, to be close to her. Angela Carter was a legendary English fiction writer and journalist. Hire a subject expert to help you with The Sexual Content in Angela Carter… They seem to have been happy at the beginning. “I arrived by air, in the dark,” she wrote, two years later. Carter’s work was highly influenced by the genre of fairy tales, Carter has been quoted saying her stories in The Bloody Chamber are “stories about fairytales” in order to show what is wrong with them. Carter was born in 1940 and grew up in a quiet, middle-class suburb of London, the second child of a straitlaced mother, Olive—she turned off the TV if a divorced actor came on the screen—and a father, Hugh, who was the night editor of London’s Press Association. As stated in Formidable Fairy Tale: A Writer’s Guide, this particular story is a literary fairy tale. There was a generational aspect, too. . She couldn’t eat. Then a maid soundlessly opened the sliding door and, stepping out of her slippers, crept in on stockinged feet, breathing apologies. (She wrote to Paul soon after, asking for a divorce. Still, there is no question that being female was part of the reason that Carter received less attention. Strong-minded woman that she was, she laid aside her plans for a new novel—“Adela,” about Jane Eyre’s pupil, Mr. Rochester’s daughter—and went to work, fast, with an assistant, on a collection of her nonfiction. For my latest interview, I recently sat down with Rosie Hordon-Clark, a PhD student at Dublin City University whose research focuses on the relationship between Angela Carter’s writing and feminism. She was brokenhearted, and furious. In gratitude, he brought her a can of pineapple. Ad Choices. But literary companionship was not what she was looking for. The 1944 Butler Act, riding the same democratic wave as the American G.I. 8. In “Shadow Dance” (1966), her first novel, a man named Honeybuzzard carves up the face of an annoyingly virtuous girl, Ghislaine. An editor once forwarded to her a reader’s report describing a novel of hers as “a queer little book.” Carter, always lovably forthright, replied that the person who wrote that “put her finger on my weakest spot, which is a tendency to a batty kind of whimsicality.” She said she was sure she would work out some satisfactory solution. This is certainly suggested by her final novel, “Wise Children,” in which a seventy-five-year-old woman, Dora Chance, tells of the life that she and her identical-twin sister had as music-hall artists. Your IP: 178.62.221.157 A new biography shows how the British author made fairy tales psychological and sexy. Here is the “pleasure hotel” they went to on their first night: We were shown into a room like a paper box. Energized by her discoveries, she became a bustling presence in her department and the co-editor of its literary magazine. He spoke less English than Araki had and didn’t have much to say, anyway. The English writer Angela Carter (1940 … • Or, as Angela put it, “I finally bumped into somebody who would . Three paragraphs later, it is mixed with death, a beautiful death: “I should have liked to have had him embalmed and been able to keep him beside me in a glass coffin, so that I could watch him all the time and he would not have been able to get away from me.” A glass coffin: “Snow White.” And that’s where she was headed—to fairy tales. She carried a tray which contained two cups of tea and a plate of candies. Literary fairy tales served as way for aristocratic men and women to take familiar stories and place their own ideas into it. Gordon has gone through the stapled-together pages of this publication, and reports that the best items were pseudonymous poems by Carter. Carter always said that the two years she spent in Japan were what radicalized her as a feminist. In Carter’s version of “Beauty and the Beast,” retitled “The Tiger’s Bride,” the beast doesn’t change into a beauty. Angela thereupon dropped all thought of going to university. She was young, and she had had only a few years of absolutely first-rank work, but that is true of many writers, including some of the greatest. In 1984, she told an interviewer: It would be whingeing to say that men who are no better than I are very much more famous and very much richer and also regarded as . Gordon believes that she began to enjoy having the night to herself; she could write in quiet and then go to bed with Araki when he came home at five in the morning, once the trains started running again. Like every great author of Gothic fiction, Angela Carter was blessed with an intensely vivid and extremely dark imagination. He took it badly. Despite the individual power of these tales, another theme can be traced through them as a collection – the development of the female role. I was now within the field of force of his golden eyes. While reading her work, I admired what I detected as a hidden mirth under a proud and defiant spirit; like a Shakespearean Puck character. A randy captive princess. The truth is that she never cared much about character development or plot, which are the meat of the novel. )” The note of sarcasm here is interesting. Slowly, slowly he began to drag his heavy, gleaming weight across the floor towards me. She slouched around in short skirts and fishnet stockings, smoking and saying offensive things to her mother. have sexual intercourse with me.” But Paul insisted that they get engaged first, and so Angela found herself, at twenty, a married woman. Crammed in with all the other gear packed for a ski trip was my copy of Angela Carter’s newest novel, Wise Children.Because sheer exhaustion made it difficult for me to stay awake past nine o’clock, I didn’t get to finish the book, which in a sad kind of way turned out to be a good thing. I was stripped stark naked when she returned for a third time to bring the receipt for his money. Her work draws on an eclectic range of themes and influences, from gothic fantasy, traditional fairy tales, Shakespeare and music hall, through Surrealism and the cinema of Godard and Fellini. This is her great book, the one that only she could have written, the one in which everything that was good in her came to the fore and everything that had been bad became good. Because Carter took on fairy tales, she was sometimes pigeonholed as a “white witch,” the sort of person who reads Tarot cards and believes that the earth speaks to her. “His face did not, when I first met him, seem to me the face of a stranger,” she wrote of Araki. . In 1940 werd zij als Angela Olive Stalker geboren in het Engelse Eastbourne. She arrived in September of that year, without Paul. Gordon thinks that Paul was the first man to take a romantic interest in Angela. Find out other facts about Angela Carter … That was her peak, “Fireworks” and “The Bloody Chamber.” Strange to say, she wrote most of those unsettling stories in a period of relative contentment. He was strikingly handsome. He dragged himself closer and closer to me, until I felt the harsh velvet of his head against my hand, then a tongue, abrasive as sandpaper. If so, she was one of them. The next morning, she went back to where she was staying, to take a shower, while he played pachinko, a Japanese version of pinball. She doesn’t hear them. She was famous due to her picaresque works, magical realism and feminism. Her mother never put her to bed until after midnight, when Hugh got back from work—she wanted her company—and, even then, often let her stay up. Then they met again, had breakfast, and went to another hotel. Soon after her son was born, Carter started to age quickly, as she recorded in her diary: “I catch myself in the mirror looking like my father.” She resented this, and reacted defiantly, adopting, according to one friend, “a madwoman-in-the-attic look.” Yet Gordon seems to think that, on balance, she got happier as she got older. Barnes was short-listed in 1984. “He will lick the skin off me!”. His name was Mark Pearce, another nineteen-year-old. Bill, provided grants for gifted children from regular backgrounds to go to élite private schools. “When night descended over the ocean, many unfamiliar stars sprang out in the sky; as we approached land, there began to blossom below me such an irregular confusion of small lights it was difficult to be certain if the starry sky lay above or below me. He was silent most of the time, but she didn’t mind, because she liked to do the talking, just as she liked being older. At the time she wrote “The Bloody Chamber”, the Second Wave of Feminism and, subsequently, the rise of radical-libertarian feminism were crashing into the forefront of the global politics. I never moved. Angela Carter’s feminist credentials Carter was a vocal feminist, influenced by her teenage readings of de Beauvoir she advocated women s empowerment, and this is often shown by the strong female characters in her writing. Oxford University Press. “Inside my dark red lips.”. . This is tiresome but unavoidable: in the nineteen-eighties, there was a much-trumpeted spurt of energy in English fiction, with the rise of a number of talented young men, notably Rushdie, Ian McEwan, Martin Amis, and Julian Barnes. She became an ardent feminist, but not an orthodox one. Feminism and Gender Approaches as Used in Angela Carter’s and Anne Rice’s Vampires. She didn’t wear lipstick. My earrings turned back to water and trickled down my shoulders; I shrugged the drops off my beautiful fur. She figured in ‘The Times’ list of ‘The 50 Greatest British Writers Since 1945’. She grew to be a tall, pudgy child, with a stammer. Carter has taken seven fairytales whose “latent content” she says were “violently sexual”, (qtd by Robin Sheets, “Pornography Fairy Tales and Feminism” 642). He went on doing construction work, she went on writing—and that was their life, except for one big change, in 1983: Carter, at the age of forty-three, gave birth to a son, Alexander. She wrote at a furious speed, turning out narratives of violence that were sometimes layered with comedy, sometimes not. Her writings personified a pledge to feminism and also included nuances of magical realism. discourses of patriarchal power. The stories in Angela Carter’s short-story collection The Bloody Chamber belong to ‘that class of the terrifying which leads back to something long known to us, once very familiar’[1]. He growled at the back of his throat, lowered his head, sank on to his forepaws, snarled, showed me his red gullet, his yellow teeth. . She had been back in England for four years, but she was still living off the psychological tank dive of her Japanese period. He started to unfasten my shirt and then she came back again. I don’t know what she means about Dostoyevsky, but her general statement should sound familiar in our day of loose gender definitions. The young women of Tokyo, she wrote, acted as though they had “become their own dolls.” She was crammed with treats, bombarded with kittens and storybooks. 14.3. She died a few days later. Through her father’s connections, she got a job as a reporter. As she wrote to a friend, Carole Roffe: Somebody asked me who my favorite women writers were the other day, meaning, I guess, some kind of writers who expressed a specifically feminine sensibility—I said Emily Bronte, who’s pure butch, and cursed myself afterwards because the greatest feminine writer who’s ever lived is Dostoevsky, followed closely by Herman Melville, who has just the kind of relish of beautiful boys that emancipated ladies such as yourself express. She and Mark got married, as they had neglected to do previously, and, week after week, she got dressed and sat up straight to have goodbye teas with her friends. Use of this site constitutes acceptance of our User Agreement (updated as of 1/1/21) and Privacy Policy and Cookie Statement (updated as of 1/1/21) and Your California Privacy Rights. . . Angela Carter’s The Sadeian Woman: feminism as treason book. . Angela Carter, The Bloody Chamber and Other Stories (London: Vintage, 2006). Known for her use of magic realism and picaresque prose, Carter’s writing style reflected the world around her, capturing 1960s counterculture and second wave feminism. Paul taught Angela to love English folk music, thereby giving her a great gift. The first thorough account of Carter’s life, it is an authorized biography—Gordon had the coöperation of Carter’s intimates, and access to her letters and diaries. It was a bohemian household, with dirty dishes stacked in the sink, but they liked having people over. "What Angela Carter did with fairy tales was to take the stories that we all know and turn them inside out. In February, 1992, she died at home, at the age of fifty-one. Gordon, who is always good at contextualizing, says that Bristol’s English department was not ideal for her; it was dominated by the principles of F. R. Leavis, who was intent on rescuing English fiction’s “great tradition” from the showy, the sentimental, and the bizarre. 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